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When I heard “Passing Me By” in 1992, I understood the lo-fi aesthetic in the crackling needle and distorted, ghostly organ sample from Quincy Jones’ “Summer in the City”. The saxophone precursor to the chorus also introduced me to a more sophisticated rap-jazz fusion. Many beat producers like to https://lo-fi-headbang93579.blogocial.com/secrets-lo-fi-sleep-music-top-67121629

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